Sunday, November 19, 2006

Samut Songkhram is Sparkling

The first time I went to Samut Songkhram, I went by bus with my friend Joy. We planned to return by train, and so we dropped by the station to ask about the last departure of the day. The station master said, “I’m not telling.”

“Excuse me?” Clearly we had a translation problem. But he repeated himself. He really didn’t want us to leave town. Acting more as a self-appointed chamber of commerce than as a hustler, he proceeded to explain this was the time of year when a local species of firefly puts on a fantastic nightly show.

He recommended that we book rooms at one of the many canal-side “home stays” (bed and breakfasts), and hire a boatman to take us around after dark for a tour of the famous glittering insects. It didn’t happen that night—Joy and I both had reasons to get back to the city—but when someone at work asked if I wanted to join a group that was planning a visit to the fireflies, I remembered the station master’s advice and said yes.

These hing hoi, as they’re known in Thai, are not your American fireflies. They all hang out in trees, blinking in unison, as if they were Christmas lights. As our boat motored along the river, I remarked to my friends that perhaps the difference was due to cultural training—Americans being taught to value individualism, Thais preferring not to upset the social order.

They naturally treated my comments with the respect they deserved (zero). At dinner, I gave them another reason to roll their eyes. We had stopped at a nice riverside restaurant, where we ordered fish. When it looked to me as if we had picked clean the top half of the fish, I reached out to turn it over, as I had seen many Thai people do at restaurants.

Screams went up. Hands waved. Somebody patiently took me aside and enlightened me. When traveling by boat, I was told, it’s bad luck to flip a fish, for fear the same thing will happen to your vessel later. I believe this is a lesson that will stick. It has now been several days and I have not repeated the error.

Thursday, November 16, 2006

Nakhonchaisri is Larger than Life

Wax museums are supposed to feel authentic, but the one we stopped at in Nakhonchaisri, a small city near Bangkok, goes beyond that. I actually asked directions of one of the figures. She didn’t look up from the paperwork that she is perpetually doing near the entrance.

“Wax” isn’t formally part of the museum’s name, because the creators have found that fiberglass does better in this climate. Another difference between the Thai Human Imagery Museum and the kind I’m used to from the States is the type of person portrayed there. On the first floor, 90% of the figures were monks. The Thais I accompanied knew every one of them.

It isn’t until reaching the second floor that a musician or a person from pop culture appears. Some of the figures are of people who never truly lived, but are as well known as if they had. Occupying a prime corner, for instance, are characters from a beloved Thai epic, Phra Abhaimani. This is another love triangle tale, complete with princes, princesses, demons, a giant, a hermit, and a half dragon half horse.

Phra Abhaimani is a younger story than Khun Chang Khun Phaen. It is attributed to one writer, Sunthorn Phu, rather than to the oral tradition. I was surprised to learn that some of the characters in it are foreigners. Sunthorn Phu was evidently commenting on how well Thais and Westerners get along. The story is taught in schools throughout Thailand, and so, as with the monks, my fellow travelers could identify all of the figures by name.